Documentary, not posed.
Catch people in the moment — singing, listening, weeping, laughing. The candid frame wins over the composed one every time.
A field guide for our team — visual standards, voice, and the small decisions that add up to feeling like us.
Everything most people need, on one screen. Start here — scroll down when you need the why.
Everything in this guide sits on top of a single sentence. If a design choice doesn't help that sentence land, it's the wrong choice.
We exist to help people become passionate followers of Jesus.
We lean toward the trend side. Modern, current, on-the-pulse — but never disposable.
We slightly favor function. Clarity beats cleverness. The message wins.
These statements aren't meant to be memorized. They're filters we use for every decision we make as a church — and everything we post or say ought to allude to or reflect them, even if it isn't said outright.
Jesus is the Lead Story.
We worship with reckless abandon because we've been radically changed.
Life change happens best in community.
We are spiritual contributors, not just spiritual consumers.
We live on mission.
We're all in on the next generation.
We will lead the way with irrational generosity.
We are faith-filled, big thinking, unafraid risk takers.
When you create content for 2Rivers or speak from stage, there are ways we choose what we say and how we say it. Our content is always three things.
We "like the cookies on the bottom shelf." We stay away from churchy buzzwords or overly used bible jargon that may alienate those without that experience or knowledge. We want everyone to clearly understand us — and ultimately the Gospel message.
We don't overhype but we're not boring. We bring genuine enthusiasm to our content, reflecting our transformative experiences with Jesus. We avoid overhyping and instead communicate our message in a sincere, positive, and relatable manner.
We talk about the hard things, but we're not going to alienate or bash anyone with them. Our voice navigates the delicate balance between honesty and compassion. We are open-handed and try our best to communicate what the Bible says.
These are the tonal calibrations to keep handy — examples of how the tone words show up at the line level.
"Bring a friend, bring a casserole, and bring your questions. Sunday at 10."
"You won't BELIEVE what's happening this Sunday — God is moving in HUGE ways, you have to be there!!"
"This part is hard. We're not going to pretend it isn't. But God doesn't waste hard."
"In the crucible of your suffering, the sanctification of your soul is being wrought."
"You don't need to dress up or have it together. Show up as you are — we'll save you a seat."
"Come fellowship with the body and be edified by anointed worship and prophetic teaching."
"Generosity is contagious — when one of us gives, all of us get to be part of something we couldn't do alone."
"Don't rob God — bring your tithe and watch Him pour out blessings you can't contain."
Pending approval The names below are proposals. Use the addresses freely; hold the names until the comms team confirms them.
SUN · [TIME] · [88 SHORT NAME]SUN · 10:30AM · THE VENUE AT 96SUN · [TIME] · 2RIVERS ONLINE10:30AM — no space, no periods.Two parallel parallelograms — abstract enough to read as a "2," literal enough to suggest two currents converging. Simple, clean, fresh, unique.
Our primary expression is the gradient mark — used full-color on white or dark. Where the gradient can't render (single-color print, embroidery, very small sizes), reach for the solid blue, white, or black versions.
The mark may appear with or without the wordmark. When in doubt about pairing or context, default to the horizontal lockup.
Questions: marketing@2riverschurch.org
Allow a minimum of one parallelogram-width of empty space on every side of the mark. More is better. Never crowd it with type, edges, or imagery.
Print: 1" wide minimum at 266+ DPI. Screen: 32px minimum for the icon, 250px minimum for the horizontal lockup. Smaller than that, the mark loses its read.
Use the mark on white, deep navy, ink black, or solid 2RC Blue. Avoid placing it on a similarly-saturated background — the mark should remain the loudest thing in the frame.
Both parallelograms share identical proportions. Each slanted edge makes a 67° angle with the horizontal baseline — a 23° lean from vertical. This angle defines the character of the mark and must never change. Any skew, rotation, or rescaling that alters this lean breaks the system.
Run the gradient at 135° (top-left → bottom-right) so it reads as motion, not decoration.
Add a light grain or noise overlay on large surfaces — it stops the gradient from feeling synthetic.
Anchor gradient surfaces with ink black or paper white. Two gradients in one frame is too many.
Reverse the direction, drop a stop, or substitute hues. The gradient is a recognizable signature, not a swatch palette to mix.
Set body copy in the gradient. Reserve gradient text for one display word per composition — at most.
Place the gradient on a colored background. It needs ink, paper, or its own canvas to breathe.
Three non-negotiables — 2RC Blue, Ink, and Stone form the daily palette. The five gradient hues sit on top, deployed deliberately when energy is needed.
Never put white text on 2RC Blue (2.79:1, fails). Use Ink text on Blue (7.07:1) or white on Blue Deep (6.12:1).
AA 4.5:1 and up — safe for any text. Large only 3 to 4.49:1 — headlines 24px and up (or 19px bold). Don't under 3:1 — not for text.
Ratios use the WCAG 2.1 formula. Gradient text is judged by its weakest stop, so keep it to display sizes.
Type does most of the heavy lifting in our system. A strong sans for clarity and impact; an editorial italic to introduce warmth and breath; a mono for utility.
Aa Bb 01
passionate
Read me clearly.
01 / Sunday
Sizes are pixels on a 1440px screen. In slides, print, and design apps, use the same numbers in points. On the web, use the fluid value — it shrinks on phones and stops at the full size. Section markers may run wider, at +0.18em.
Photography is our most powerful tool for proving we mean what we say. We show real people doing real things in honest light — never staged, never glossy, never stock.
Catch people in the moment — singing, listening, weeping, laughing. The candid frame wins over the composed one every time.
Lean into available light — stage wash, low key, hard backlight. Cinematic, not commercial.
A touch of grain or film texture is welcome. It signals reality. Avoid clinical, over-retouched skin or HDR.
The building doesn't change lives — people do. When in doubt, frame humans.
Our pages reward restraint. One headline that owns the space, one supporting move, lots of air. The grid is invisible but always present.
One thing is largest. One thing is loudest. Everything else falls in line. Resist the urge to make multiple elements compete.
Snap to a 12-column grid for digital, 6-column for print. Headlines can span 8–12 columns. Body copy never wider than 8.
Empty space gives the message room to land. If a layout feels crowded, remove something — don't shrink it.
Either very big or very small — avoid the middle. Mid-size type reads bureaucratic. Push display loud and labels quiet.
The italic serif is a spice, not a sauce. One word per composition — usually the word that carries the most emotional weight.
A light grain overlay is welcome on gradients and dark photos. Heavy textures, patterns, and "design flourishes" are not.
The same brand, for the website, the app, email, and anything people tap.
Every screen starts from these roles, not from raw hex codes. Set them once in a platform's theme settings and the rest of this chapter follows. Developers can drop in variables.css; design tools can read design-tokens.json.
--2r-bg--2r-surface--2r-text--2r-text-body--2r-text-muted--2r-link--2r-line--2r-focus--2r-errorSquare, at least 44px tall, with a mono uppercase label at +0.14em. A button may end in "→". One primary action per screen — the rest step down to outline or text.
Links inside sentences are always underlined — color alone doesn't tell everyone it's a link. Links that leave our site end in ↗.
New here? Plan your first visit and we'll save you a seat. You can also watch last Sunday ↗ on YouTube.
5.61:1 on Stone · 6.12:1 on PaperNew here? Plan your first visit and we'll save you a seat. You can also watch last Sunday ↗ on YouTube.
7.07:1 on Ink#0066A3, 1px underline, 3px offset. 2px underline on hover.#00A5E5, same underline.Fields are 48px tall with a 1px hairline, square corners, and Host Grotesk at 16px — 16px also stops phones from zooming in. Labels sit above the field in mono, never inside it.
--2r-line), 0 radius, Paper on light and Ink Elevated on dark.--2r-focus-ring).#C8102E on light, Signal #FF2935 on dark. Never color alone — always the words too.Square and flat — no shadow, ever. The same anatomy as the cards in this guide: a mono label top left, the headline, and a mono metadata row split left and right.
#15151A on Ink, with a white-12% hairline.An 8px rhythm with a 4px half-step. When a layout feels crowded, take something out — don't squeeze the space.
clamp(64px, 9vw, 128px).clamp(20px, 4vw, 72px).This line is set to the 68ch reading measure. Past this width the eye loses its place on the way back to the start of the next line, so long paragraphs feel harder than they are. Keep body text here, and let headlines and images run wider.
Square by default. Structure comes from hairlines, not shadows. There is exactly one shadow in the system, and it's only for things that float above the page.
0 12px 40px rgba(10,10,13,0.18) on light. None on dark — use Ink Elevated and a hairline instead.One line set, everywhere: Lucide ↗. It's free, open source, drawn on a 24px grid, and set here at a 1.5px stroke so it sits quietly next to Host Grotesk. Icons take the current text color.
Calm and quick. Things rise into place; nothing bounces, spins, or flashes. If someone's device asks for less motion, we stop moving.
You're invited.
--2r-dur-fast).--2r-dur); up to 600ms for a headline entering.cubic-bezier(0.2, 0, 0, 1) (--2r-ease).prefers-reduced-motion: no drift, no rise, instant state changes. Video and reels keep a pause button.Nine checks anyone can run — no tools needed beyond your eyes and a phone. If it passes all nine, it's ready.
Where our brand lives day to day, what to set in each one, and where each platform draws the line. Settings move around — check the current menus in your account.
Sermon series get the longest leash. Series art exists to do one thing — make you want to know more about what's being preached. Within reason, almost anything is fair game.
Templates for the formats we ship most. Use these as starting points — match the rhythm, then bring your content.
You don't have to have it all together.
Honesty doesn't
have to hurt.
Unafraid risk takers.
grace
has
your
seat.
be
still
&
know
"For we are God's handiwork, created to do good."
Save the date. Bring everyone you know.
Vertical text down the spine. Gradient mark at the nape. Ink black tee, screen-printed in soft-hand white.
2Rivers Youth and 2Rivers Kids each have permission to push the brand in a direction the parent can't. The audience defines the volume — but the DNA stays.
Rooted · Loud · Alive
Youth and Kids start from the same token files as the main brand and override only the tokens below. Both guides are still in progress.
Everything you need to make something on-brand without waiting on anyone. If a file you need isn't here yet, ask — and we'll add it for the next person too.
Every color, size, and spacing value as code. Drop into a website, or import into a design tool.
Colors in order, fonts and fallbacks, Canva settings, and the three volunteer rules — ready to paste.
The whole guide written for AI tools. Attach the file, or paste the short brief below before you ask for copy or a design.
Three are free from Google Fonts. CMG Sans needs a license — use Archivo until you have one.
Placeholders Linked files are ready now. Grey entries are placeholders until the master files are added — email marketing@2riverschurch.org if you need one sooner.
SVG for web and apps · PNG for slides, Canva, and social · EPS for print and signage vendors.
Placeholders Template links go here as each one is finished. The layouts match In the Wild.
Before you ask Claude, ChatGPT, or another tool to write or design for 2Rivers, paste this paragraph in. For longer work, attach ai-brief.md instead.
2Rivers Church (O'Fallon, Missouri). Bold, honest, warm, modern, unafraid. Canvases are Ink #0A0A0D (dark) or Stone #F4F5F7 (light). Primary color is 2RC Blue #00A5E5. Signature gradient runs at 135°: #6CB4F0 → #6A4CFF → #B53DE8 → #FF3D8A → #FF2935, used for the mark, fills, and at most one display word. Headlines: CMG Sans (web/Canva fallback Archivo) at weight 800–900, very tight leading (0.84–0.92) and negative tracking (−0.02 to −0.045em). One accent word per composition in Instrument Serif Italic. Body: Host Grotesk 400 at 16px / 1.55. Labels: JetBrains Mono, uppercase, +0.14em tracking. Square corners, no drop shadows, 1px hairline rules. One big move per page, lots of air, scale extremes. Photography is documentary, available light, grain allowed, people over places. Voice is simple, authentically positive, grace and truth: "bring a friend, we'll save you a seat," never "you won't BELIEVE…!!". Never put white text on 2RC Blue (it fails contrast); use Ink text on Blue, or white on Blue Deep #0066A3.